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	<link>https://louisporter.com</link>
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	<pubDate>Wed, 27 Nov 2024 11:09:53 +0000</pubDate>
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		<title>Louis Porter Overview</title>
				
		<link>https://louisporter.com/Louis-Porter-Overview</link>

		<pubDate>Wed, 27 Nov 2024 11:09:53 +0000</pubDate>

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		<description>LOUIS PORTER
WORK


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	<item>
		<title>Zoller &#38; Porter</title>
				
		<link>https://louisporter.com/Zoller-Porter-1</link>

		<pubDate>Wed, 29 Mar 2023 17:05:17 +0000</pubDate>

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		<description>
	Zoller &#38;amp; Porter

A collaboration between Rahel Zoller and Louis Porter


WORKS ON PAPER (2023)


	
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For one year—beginning in April 2020—artists Rahel Zoller and Louis Porter undertook a mail art project entitled, Works on Paper. The rules of this project were never precisely established, although each of the works examines in some way society’s relationship with paper.Amongst a variety of other items the project contains price tags, toilet paper, jigsaw puzzles, envelopes, newspaper, scratch cards, books, calling cards, paper bags, a will, napkins, raffle tickets, calendars, sandpaper, receipts, letters, a parking fine, carbon paper, postcards, hotel notepaper, photographs, edible rice paper, certificates, a clock face, puzzles, blotting paper, glassine, photocopies, security paper, a census, cardboard, graph paper, banknotes, a fortune teller’s calling card and an oversized novelty cheque. This limited-edition artists’ box containing 19 facsimiles and re-workings of several items in the project as well as a catalogue and a poster was produced in an edition of 50 copies.Dimensions: 365mm x 255mmScreen printed greyboard box 19 books, letters, facsimiles, photogravure print, etcB2 full colour posterCatalogueYear: 2023Edition of 50 The artists’ box has been purchased for the following collections: Tate Modern (UK)PrintRoom Rotterdam (NL)Miriam Gallery (NY)Centre for Book Arts New York (USA)










De Kunstenbibliotheek Ghent (Belgium)

Hyundai Museum of Kids’ Books and Art - MOKA (Korea)The Bavarian State Library (Germany) 
Das Kunstbuch Archive (Austria)




BUYCARDBOARD WASTE (RECYCLED) (2022)


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Cardboard Waste (Recycled) is a homage to Dieter Roth’s Kartonabfälle and presents 33 deconstructed cardboard boxes found on the streets of London.
32cm x 42cm digital prints on Munken paper50 x 35cm carboard containerEdition of 10 + 1 APThe portfolio has been purchased for the following collections: Luma Foundation (FR)Centre for Book Arts New York (USA)
BUY

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	<item>
		<title>FACSIMILE ALBUMEN PRINTS OF THE WORK OF JOHN THOMSON </title>
				
		<link>https://louisporter.com/FACSIMILE-ALBUMEN-PRINTS-OF-THE-WORK-OF-JOHN-THOMSON</link>

		<pubDate>Mon, 27 Jul 2020 15:59:25 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/FACSIMILE-ALBUMEN-PRINTS-OF-THE-WORK-OF-JOHN-THOMSON</guid>

		<description>

&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/58a9fcdd0f3ebdb51f8f3aeca87a4e05b38a90e6ca4884e8c50ae320394383d6/Thomson-Facsimilies-03.jpg" data-mid="78462193" border="0"  src="https://freight.cargo.site/w/1000/i/58a9fcdd0f3ebdb51f8f3aeca87a4e05b38a90e6ca4884e8c50ae320394383d6/Thomson-Facsimilies-03.jpg" /&#62;

	FACSIMILE ALBUMEN PRINTS OF THE WORK OF JOHN THOMSON (2019)



















This project is the result of a London College
of Communication Research Development Grant and developed a simple method for
producing facsimile albumen prints
of the work of Victorian photographer John Thomson, using the digitised images of
his glass plate negatives produced by the Wellcome Library’s imaging
department. 



The
aim was to produce process accurate facsimiles of the iconic triptych of the western
façade of Angkor Wat temple, as featured in Thomson’s 1867 “The Antiquities of
Cambodia”. To facilitate this, the Wellcome transferred the RAW
scans of the negatives and the original Kodak IQ Smart3 Scanner to my laboratory
at the college. Using contemporaneous books and articles by Thomson and with
the help of modern spectral-analytical equipment I produced a series of glass
collodion test charts using the same materials and methods as Thomson. These
then informed the process of creating acetate inkjet negatives which could be
used to make albumen prints. These prints were then gold toned, mounted and
presented in a handmade portfolio folder. 
Papers explaining the methodologies and historical context of the work have been presnted&#38;nbsp; to the Association for Historical and Fine Art Photography (AHFAP) and the Institute for Conservation (ICON).










 
	

&#60;img width="2008" height="567" width_o="2008" height_o="567" data-src="https://freight.cargo.site/t/original/i/f70811220fd079ef951e1f25094f8c5971b71bcc0f5f5f723bd8df6751e06507/angkor.jpg" data-mid="78462177" border="0"  src="https://freight.cargo.site/w/1000/i/f70811220fd079ef951e1f25094f8c5971b71bcc0f5f5f723bd8df6751e06507/angkor.jpg" /&#62;


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&#60;img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/b0885298c916efffacb0871e65ddbe21dfbbbafe6d8588dcb8a271e47f48ed52/test-plate.jpg" data-mid="78462192" border="0"  src="https://freight.cargo.site/w/1000/i/b0885298c916efffacb0871e65ddbe21dfbbbafe6d8588dcb8a271e47f48ed52/test-plate.jpg" /&#62;
&#60;img width="1713" height="2077" width_o="1713" height_o="2077" data-src="https://freight.cargo.site/t/original/i/412f7790b126c3955cca804f82c79711f8cb77b631718dc8cfebec92e88e1599/Chinese-Book.jpg" data-mid="78462180" border="0"  src="https://freight.cargo.site/w/1000/i/412f7790b126c3955cca804f82c79711f8cb77b631718dc8cfebec92e88e1599/Chinese-Book.jpg" /&#62;
&#60;img width="1736" height="2500" width_o="1736" height_o="2500" data-src="https://freight.cargo.site/t/original/i/129a0477e120c710a6cd6a2e16ad289aee84e5887f4972142f8de23817026400/Lab-Book.jpg" data-mid="78462188" border="0"  src="https://freight.cargo.site/w/1000/i/129a0477e120c710a6cd6a2e16ad289aee84e5887f4972142f8de23817026400/Lab-Book.jpg" /&#62;
&#60;img width="2323" height="1765" width_o="2323" height_o="1765" data-src="https://freight.cargo.site/t/original/i/e2ee641bddaf2a16806704a37b74499c85c142559fe5dab101b5e27caf1ff318/repair.jpg" data-mid="78462190" border="0"  src="https://freight.cargo.site/w/1000/i/e2ee641bddaf2a16806704a37b74499c85c142559fe5dab101b5e27caf1ff318/repair.jpg" /&#62;
&#60;img width="2500" height="1985" width_o="2500" height_o="1985" data-src="https://freight.cargo.site/t/original/i/b9ece5d752f412b8e3e462d6700819fd6e1cff90c379134404336b00798911d2/Digi-Neg.jpg" data-mid="78462181" border="0"  src="https://freight.cargo.site/w/1000/i/b9ece5d752f412b8e3e462d6700819fd6e1cff90c379134404336b00798911d2/Digi-Neg.jpg" /&#62;



&#60;img width="2500" height="1815" width_o="2500" height_o="1815" data-src="https://freight.cargo.site/t/original/i/14f0035b2ecea40a75037dce516fa44d3a3ac35786e07772a0843a5c8dd58c67/IMG_8507.jpg" data-mid="78462183" border="0"  src="https://freight.cargo.site/w/1000/i/14f0035b2ecea40a75037dce516fa44d3a3ac35786e07772a0843a5c8dd58c67/IMG_8507.jpg" /&#62;
&#60;img width="2500" height="1866" width_o="2500" height_o="1866" data-src="https://freight.cargo.site/t/original/i/a57b2c5f4ab65860a4130d776a845f6096b72f21f945a1e1aca587525b7cf338/IMG_8508.jpg" data-mid="78462184" border="0"  src="https://freight.cargo.site/w/1000/i/a57b2c5f4ab65860a4130d776a845f6096b72f21f945a1e1aca587525b7cf338/IMG_8508.jpg" /&#62;
&#60;img width="2500" height="1993" width_o="2500" height_o="1993" data-src="https://freight.cargo.site/t/original/i/721f10238cdb9fe3fe132c9dcb903f44e0f4d81de8aa760e88b4ff2b0855c78d/IMG_8509.jpg" data-mid="78462186" border="0"  src="https://freight.cargo.site/w/1000/i/721f10238cdb9fe3fe132c9dcb903f44e0f4d81de8aa760e88b4ff2b0855c78d/IMG_8509.jpg" /&#62;


&#60;img width="2000" height="606" width_o="2000" height_o="606" data-src="https://freight.cargo.site/t/original/i/cd25b0f519dcc622d5d89829ec370a9461742cf9dddbdc8672dbba8248fd42f5/Thomson-Facsimilies-04.jpg" data-mid="78462194" border="0"  src="https://freight.cargo.site/w/1000/i/cd25b0f519dcc622d5d89829ec370a9461742cf9dddbdc8672dbba8248fd42f5/Thomson-Facsimilies-04.jpg" /&#62;</description>
		
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		<title>THE LONDON LIBRARY MAGAZINE</title>
				
		<link>https://louisporter.com/THE-LONDON-LIBRARY-MAGAZINE</link>

		<pubDate>Mon, 27 Jul 2020 09:44:01 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/THE-LONDON-LIBRARY-MAGAZINE</guid>

		<description>&#60;img width="5629" height="3849" width_o="5629" height_o="3849" data-src="https://freight.cargo.site/t/original/i/ddb4207deb282489e4125e0af9ce57e503f4500b34d3a72a7752faf730805609/Books-and-Website0233.jpg" data-mid="78436357" border="0"  src="https://freight.cargo.site/w/1000/i/ddb4207deb282489e4125e0af9ce57e503f4500b34d3a72a7752faf730805609/Books-and-Website0233.jpg" /&#62;

&#60;img width="5629" height="3849" width_o="5629" height_o="3849" data-src="https://freight.cargo.site/t/original/i/b9e2d5152a681862b9c0ccc5785cc2f9793862dd5c802859ad8dc16d31ed609a/Books-and-Website0234.jpg" data-mid="78436358" border="0"  src="https://freight.cargo.site/w/1000/i/b9e2d5152a681862b9c0ccc5785cc2f9793862dd5c802859ad8dc16d31ed609a/Books-and-Website0234.jpg" /&#62;

&#60;img width="5629" height="3849" width_o="5629" height_o="3849" data-src="https://freight.cargo.site/t/original/i/e2d4714d64f158309f0ecb9706f9305412b6df00f151b35dbc201fb09318903e/Books-and-Website0235.jpg" data-mid="78436360" border="0"  src="https://freight.cargo.site/w/1000/i/e2d4714d64f158309f0ecb9706f9305412b6df00f151b35dbc201fb09318903e/Books-and-Website0235.jpg" /&#62;
	THE LONDON LIBRARY MAGAZINE (2016)
Winter 2016 Issue 34, “Early Photography in Focus”, for a more readable version of this article please save the image to your computer or open it in a new tab.
	
</description>
		
	</item>
		
		
	<item>
		<title>ABCEUM</title>
				
		<link>https://louisporter.com/ABCEUM</link>

		<pubDate>Mon, 27 Jul 2020 11:06:59 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/ABCEUM</guid>

		<description>


&#60;img width="3000" height="1517" width_o="3000" height_o="1517" data-src="https://freight.cargo.site/t/original/i/7f24aab0e57f3e066e5823b1804c98625245815eb5d9020bd41809386f5b7227/Case-A_ABCEUM.jpg" data-mid="78441949" border="0"  src="https://freight.cargo.site/w/1000/i/7f24aab0e57f3e066e5823b1804c98625245815eb5d9020bd41809386f5b7227/Case-A_ABCEUM.jpg" /&#62;
&#60;img width="1822" height="1000" width_o="1822" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d7fd207a23b6cfcfb4cf95b5e61f6d6404d42880e64590cfb24f8054f1cccbb2/view-Case-A_ABCEUM.jpg" data-mid="78441951" border="0"  src="https://freight.cargo.site/w/1000/i/d7fd207a23b6cfcfb4cf95b5e61f6d6404d42880e64590cfb24f8054f1cccbb2/view-Case-A_ABCEUM.jpg" /&#62;
&#60;img width="3000" height="1517" width_o="3000" height_o="1517" data-src="https://freight.cargo.site/t/original/i/b6a4f6ff00be532979230b52e517ca016490e70dd951b434932b6da601e1dca5/Case-B_ABCEUM.jpg" data-mid="78441950" border="0"  src="https://freight.cargo.site/w/1000/i/b6a4f6ff00be532979230b52e517ca016490e70dd951b434932b6da601e1dca5/Case-B_ABCEUM.jpg" /&#62;
&#60;img width="2265" height="1500" width_o="2265" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a333a30b87b3b6e0f21643d3b41ef52206ed937f18a73741db8a257aaf84dae8/9_ABCEUM_16.jpg" data-mid="78441948" border="0"  src="https://freight.cargo.site/w/1000/i/a333a30b87b3b6e0f21643d3b41ef52206ed937f18a73741db8a257aaf84dae8/9_ABCEUM_16.jpg" /&#62;
&#60;img width="1362" height="664" width_o="1362" height_o="664" data-src="https://freight.cargo.site/t/original/i/9d320f840c792c44051d4814754426408cc5dbe1b117536577c06e9f1c8b3639/9_ABCEUM_9.jpg" data-mid="78441941" border="0"  src="https://freight.cargo.site/w/1000/i/9d320f840c792c44051d4814754426408cc5dbe1b117536577c06e9f1c8b3639/9_ABCEUM_9.jpg" /&#62;
&#60;img width="1362" height="664" width_o="1362" height_o="664" data-src="https://freight.cargo.site/t/original/i/1b95a6d22ae417be739ae2eaac64c278d002c8bb8544d3c2334a56613db39788/9_ABCEUM_10.jpg" data-mid="78441942" border="0"  src="https://freight.cargo.site/w/1000/i/1b95a6d22ae417be739ae2eaac64c278d002c8bb8544d3c2334a56613db39788/9_ABCEUM_10.jpg" /&#62;
&#60;img width="1440" height="768" width_o="1440" height_o="768" data-src="https://freight.cargo.site/t/original/i/0d169e81c7f92203f3784e80e0b124d734681c42aacd0094b00e8e20f1566f43/9_ABCEUM_13.jpg" data-mid="78441947" border="0"  src="https://freight.cargo.site/w/1000/i/0d169e81c7f92203f3784e80e0b124d734681c42aacd0094b00e8e20f1566f43/9_ABCEUM_13.jpg" /&#62;
&#60;img width="1163" height="572" width_o="1163" height_o="572" data-src="https://freight.cargo.site/t/original/i/86bbc5020cef42c1a02ac2e8ed29778910de4eae485001838272722149f33d13/9_ABCEUM_11.jpg" data-mid="78441944" border="0"  src="https://freight.cargo.site/w/1000/i/86bbc5020cef42c1a02ac2e8ed29778910de4eae485001838272722149f33d13/9_ABCEUM_11.jpg" /&#62;
&#60;img width="1440" height="768" width_o="1440" height_o="768" data-src="https://freight.cargo.site/t/original/i/23796fc6369e3df17bc7fb9688c4a519bc4f859096d1d08912a8ca0681879b34/9_ABCEUM_12.jpg" data-mid="78441945" border="0"  src="https://freight.cargo.site/w/1000/i/23796fc6369e3df17bc7fb9688c4a519bc4f859096d1d08912a8ca0681879b34/9_ABCEUM_12.jpg" /&#62;

	ABCEUM (2014)ABCEUM re-imagines the museum as a book installation. Each room in the museum is a print-on-demand artist’s book of&#38;nbsp;a different size and material. Assembled, the 22 self-published&#38;nbsp;books constitute a variable floor-plan which visitors can&#38;nbsp;wander through.
For this project from the Artists’ Books Cooperative I designed two vitrines to display the ABCEUM project. These were intended to resemble museum floor plans and in their material echo the museological, through the use of Evazote, a dense museum grade polyethelene foam. The “floor plan” was laser cut into the foam to connect it with the pronciple of Print on Demand that runs through the Artists’ Books Cooperative. For more information about the project please vist the ABCEUM website.
	
</description>
		
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	<item>
		<title>RECORD &#38; ANALYSIS</title>
				
		<link>https://louisporter.com/RECORD-ANALYSIS</link>

		<pubDate>Mon, 27 Jul 2020 15:46:13 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/RECORD-ANALYSIS</guid>

		<description>
&#60;img width="3000" height="4193" width_o="3000" height_o="4193" data-src="https://freight.cargo.site/t/original/i/af0a00e5e89c9c58f9a0a3af7470dea183303c08f8f107dc4d745582444174d7/Books-and-Website0354.jpg" data-mid="78460105" border="0"  src="https://freight.cargo.site/w/1000/i/af0a00e5e89c9c58f9a0a3af7470dea183303c08f8f107dc4d745582444174d7/Books-and-Website0354.jpg" /&#62;
	RECORD AND ANALYSIS (2009)



















Record and Analysis
was a curatorial commission from the City of Melbourne Arts and Heritage Collection
and was exhibited at the City Gallery in 2009. Using the Council’s collection
of engineering photographs as material it explored the aesthetic and conceptual
potential these utilitarian photographs contained. It presented the engineering
photographs as a self-contained archive and to further rupture the photograph’s
meaning I anonymously donated a selection of photographs to the archive and
used them to augment the exhibition.









	



&#60;img width="1159" height="1600" width_o="1159" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ac3c0338e0927224b6716b1d45b9f1b29d9939ca8edc4ad87dc75e57a58bc6e8/Books-and-Website0398.jpg" data-mid="78460107" border="0"  src="https://freight.cargo.site/w/1000/i/ac3c0338e0927224b6716b1d45b9f1b29d9939ca8edc4ad87dc75e57a58bc6e8/Books-and-Website0398.jpg" /&#62;
&#60;img width="1159" height="1600" width_o="1159" height_o="1600" data-src="https://freight.cargo.site/t/original/i/3e871dba0e45da8449f44bcc6b0e549858b498ec92f266a331db0001884d0a05/Books-and-Website0399.jpg" data-mid="78460108" border="0"  src="https://freight.cargo.site/w/1000/i/3e871dba0e45da8449f44bcc6b0e549858b498ec92f266a331db0001884d0a05/Books-and-Website0399.jpg" /&#62;
&#60;img width="1447" height="700" width_o="1447" height_o="700" data-src="https://freight.cargo.site/t/original/i/76e5809d55729565917f7f87248181181efad6aad75620bc77368b66cb42ba33/0003Record-and-Analysis_2.jpg" data-mid="78460097" border="0"  src="https://freight.cargo.site/w/1000/i/76e5809d55729565917f7f87248181181efad6aad75620bc77368b66cb42ba33/0003Record-and-Analysis_2.jpg" /&#62;
&#60;img width="1400" height="674" width_o="1400" height_o="674" data-src="https://freight.cargo.site/t/original/i/554bfb3a36f68620c3a70abb5b52d5861543dcabcc7509393ee2a1caa5d99419/0067Record-and-Analysis.jpg" data-mid="78460102" border="0"  src="https://freight.cargo.site/w/1000/i/554bfb3a36f68620c3a70abb5b52d5861543dcabcc7509393ee2a1caa5d99419/0067Record-and-Analysis.jpg" /&#62;
&#60;img width="1711" height="700" width_o="1711" height_o="700" data-src="https://freight.cargo.site/t/original/i/d127fde74a22ac40b58dd252f0de11aec1a0f0cf55c2f334215c61fe31c5718a/wall.jpg" data-mid="78460211" border="0"  src="https://freight.cargo.site/w/1000/i/d127fde74a22ac40b58dd252f0de11aec1a0f0cf55c2f334215c61fe31c5718a/wall.jpg" /&#62;
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&#60;img width="752" height="500" width_o="752" height_o="500" data-src="https://freight.cargo.site/t/original/i/1fd17eecaeb3329d8b9e70709ece48601088883dd4a2a7939d7420b1665b0f8f/0024Record-and-Analysis.jpg" data-mid="78460098" border="0"  src="https://freight.cargo.site/w/752/i/1fd17eecaeb3329d8b9e70709ece48601088883dd4a2a7939d7420b1665b0f8f/0024Record-and-Analysis.jpg" /&#62;
&#60;img width="752" height="500" width_o="752" height_o="500" data-src="https://freight.cargo.site/t/original/i/394a4f3f0fdfbf30fcb70ab2e272e54a56cb72c169760c1386c0186a0c69e3a9/0025Record-and-Analysis.jpg" data-mid="78460099" border="0"  src="https://freight.cargo.site/w/752/i/394a4f3f0fdfbf30fcb70ab2e272e54a56cb72c169760c1386c0186a0c69e3a9/0025Record-and-Analysis.jpg" /&#62;
&#60;img width="752" height="500" width_o="752" height_o="500" data-src="https://freight.cargo.site/t/original/i/de0501da6aa4818ff7624df9ef99adcab1f7c5d2d6e1f7ef389dd25d51d25abe/0026Record-and-Analysis.jpg" data-mid="78460100" border="0"  src="https://freight.cargo.site/w/752/i/de0501da6aa4818ff7624df9ef99adcab1f7c5d2d6e1f7ef389dd25d51d25abe/0026Record-and-Analysis.jpg" /&#62;
</description>
		
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	<item>
		<title>STANLEY KUBRICK ARCHIVE: THE MAGAZINE OF THE ROYAL INSTITUTE OF BRITISH ARCHITECTS</title>
				
		<link>https://louisporter.com/STANLEY-KUBRICK-ARCHIVE-THE-MAGAZINE-OF-THE-ROYAL-INSTITUTE-OF</link>

		<pubDate>Mon, 27 Jul 2020 10:45:29 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/STANLEY-KUBRICK-ARCHIVE-THE-MAGAZINE-OF-THE-ROYAL-INSTITUTE-OF</guid>

		<description>

&#60;img width="6035" height="4378" width_o="6035" height_o="4378" data-src="https://freight.cargo.site/t/original/i/052dc5bfa795e338e49e946055df1bbc108f8acafe16fb9eea5caa5a57b324b1/Books-and-Website0228.jpg" data-mid="78440925" border="0"  src="https://freight.cargo.site/w/1000/i/052dc5bfa795e338e49e946055df1bbc108f8acafe16fb9eea5caa5a57b324b1/Books-and-Website0228.jpg" /&#62;

&#60;img width="6035" height="4378" width_o="6035" height_o="4378" data-src="https://freight.cargo.site/t/original/i/c642b1357d9c3f0445104da1a3b39609e3ce3e070f9f9a1df52d2d6ed800bf49/Books-and-Website0229.jpg" data-mid="78440926" border="0"  src="https://freight.cargo.site/w/1000/i/c642b1357d9c3f0445104da1a3b39609e3ce3e070f9f9a1df52d2d6ed800bf49/Books-and-Website0229.jpg" /&#62;

&#60;img width="6035" height="4378" width_o="6035" height_o="4378" data-src="https://freight.cargo.site/t/original/i/fa2e74026c2e92a240cd8e81e615dc6572c325d234e5d0da770c73275f38b799/Books-and-Website0230.jpg" data-mid="78440927" border="0"  src="https://freight.cargo.site/w/1000/i/fa2e74026c2e92a240cd8e81e615dc6572c325d234e5d0da770c73275f38b799/Books-and-Website0230.jpg" /&#62;
	STANLEY KUBRICK ARCHIVE: THE MAGAZINE OF THE ROYAL INSTITUTE OF BRITISH ARCHITECTS (2017)“Clockwork Concrete” A Magazine: for RIBA Friends of Architecture, no. 6, 2017 Spring, p. 18-23, for a more readable version of this article please save the image to your computer or open it in a new tab.


	

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	<item>
		<title>PHOTOGRAPHIC FADE TESTS FOR THE VICTORIA AND ALBERT MUSEUM</title>
				
		<link>https://louisporter.com/PHOTOGRAPHIC-FADE-TESTS-FOR-THE-VICTORIA-AND-ALBERT-MUSEUM</link>

		<pubDate>Mon, 27 Jul 2020 10:04:33 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/PHOTOGRAPHIC-FADE-TESTS-FOR-THE-VICTORIA-AND-ALBERT-MUSEUM</guid>

		<description>

	
	

&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/87196d21c392e1d9f30a79c8b64c5a3108f9483851f6c7efd00d430a435c3991/Pure.jpg" data-mid="78437819" border="0" alt="Distilled Water" data-caption="Distilled Water" src="https://freight.cargo.site/w/1000/i/87196d21c392e1d9f30a79c8b64c5a3108f9483851f6c7efd00d430a435c3991/Pure.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/028b116713065c49240309b411893d01170735bd36d8c8e9b6bb30827b99f8b3/SPT9-copy.jpg" data-mid="78437820" border="0" alt="SPT9" data-caption="SPT9" src="https://freight.cargo.site/w/1000/i/028b116713065c49240309b411893d01170735bd36d8c8e9b6bb30827b99f8b3/SPT9-copy.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/3e874be7f72afe5a3a94d1073adeb71af821abfd2e9378878c5dd79e18f3461d/SPT11-copy.jpg" data-mid="78437821" border="0" alt="SPT11" data-caption="SPT11" src="https://freight.cargo.site/w/1000/i/3e874be7f72afe5a3a94d1073adeb71af821abfd2e9378878c5dd79e18f3461d/SPT11-copy.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/7670caca8dbcc69a7fe6c3d6b205d195492d0516c98c274d037a209e2c906fc5/SPT12-copy.jpg" data-mid="78437822" border="0" alt="SPT12" data-caption="SPT12" src="https://freight.cargo.site/w/1000/i/7670caca8dbcc69a7fe6c3d6b205d195492d0516c98c274d037a209e2c906fc5/SPT12-copy.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/e32c8a9915230cd30ef80817490b1d12f0929bedfb6d5a92df7c444258764947/SPT13-copy.jpg" data-mid="78437823" border="0" alt="SPT13" data-caption="SPT13" src="https://freight.cargo.site/w/1000/i/e32c8a9915230cd30ef80817490b1d12f0929bedfb6d5a92df7c444258764947/SPT13-copy.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/30369c23ff2e015d2bb5c3484873eb46df4dc7dab9a00e0cdbe5331c470720ab/SPT14-copy.jpg" data-mid="78437824" border="0" alt="SPT14" data-caption="SPT14" src="https://freight.cargo.site/w/1000/i/30369c23ff2e015d2bb5c3484873eb46df4dc7dab9a00e0cdbe5331c470720ab/SPT14-copy.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/1a8e74e5a3e82c3a2035285c223eeb9bda59e0c2143e3b01bb99540158335804/SPT15-copy.jpg" data-mid="78437825" border="0" alt="SPT15" data-caption="SPT15" src="https://freight.cargo.site/w/1000/i/1a8e74e5a3e82c3a2035285c223eeb9bda59e0c2143e3b01bb99540158335804/SPT15-copy.jpg" /&#62;
&#60;img width="1500" height="1292" width_o="1500" height_o="1292" data-src="https://freight.cargo.site/t/original/i/bb5dd9bff621d6dd7b23262e5122b6b9d0f0a36ece1be0177d773a738f5c0f9e/SPT16-copy.jpg" data-mid="78437826" border="0" alt="SPT16" data-caption="SPT16" src="https://freight.cargo.site/w/1000/i/bb5dd9bff621d6dd7b23262e5122b6b9d0f0a36ece1be0177d773a738f5c0f9e/SPT16-copy.jpg" /&#62;

	


















FADE TESTS FOR THE VICTORIA AND ALBERT MUSEUM, LONDON (2019)


Collaborating
with Lauren-Ashley Irving, a paper conservator at the Victoria and Albert
Museum, I produced a number of fade tests for various silver halide based
paper processes. These include a series of tests involving early stabilisation methods for salted
paper prints.



 Salted paper printing is the earliest form of
positive paper printing, a sheet of sized paper is coated or submerged in a lightly
concentrated solution of salt (for example sodium or ammonium chloride),dried,
then in subdued light coated with a solution of silver nitrate (sometimes with
a citric acid restrainer) which upon contact with the salt forms light
sensitive silver halide. Once dry the paper is then contact printed under a
source of Ultra Violet light. 
Before the near universal adoption of John
Herschel’s suggestion of using Sodium Thiosulphate (or Hypo) as a fixing agent,
a number of methods were used for stabilising the photographic image. These
included the use of solutions of potassium iodide, potassium bromide, common
salt and even in the case of Brazilian inventor Hercules Florence, a derivative
of urine. Sample prints were made using several of these methods and the aim
was to produce prints that were as chemically close to the originals as
possible, including the paper. Recipes were developed by consulting contemporaneous
accounts (such as Robert Hunts treatise), lab notebooks (for example Talbots P
&#38;amp; Q), journal articles and modern specialists. 
For the paper itself, I
wanted get as chemically close as possible to Whatman’s Turkey Mill given
Talbot’s positive opinion of it in notebook P. However, lacking the analytical
tools and samples of the original paper, this was no mean feat. Especially as
the original production method was a trade secret and in the words of Mark
Osterman, Photographic Process Historian at George Eastman Museum “To publish
that type of information would have resulted in drawing and quartering back
then.” Fortunately, contemporaneous publications on the manufacture of paper do
give general guidance as to the ratios of alum to gelatine for tub sizing, so
an averaged solution was prepared and Berger COT a modern, chemical free cotton
rag designed for use with photochemistry, was prepared for the tests.
TEST KEY
SPT9: Stabalised in potassium iodide aprox. 500mls – 0.28g per 100ml (based on Robert
Hunt suggestion 1844)
SPT11: Stabalised in 13.5% solution of sodium chloride (based on data sheet of Fox Talbot Museum)

SPT12: Fixed for 16 hours in 500mls of 8% sodium thiosulphate solution with the addition
of two grams of precipitated, washed and darkened silver chloride. (based on Gustave Le Gray 1850)

SPT13: Fixed for 2 hours in 500mls of 8% sodium thiosulphate solution with the addition
of two grams of precipitated, washed and darkened silver chloride. Then toned in 1.75ml 1% gold chloride to each
100ml water for one hour. (based on Gustave Le Gray 1850)

SPT14: Fixed for 10 mins in 45g of sodium thiosulphate in 300mls water, then toned in 12.5g sodium thiosulphate,
100ml distilled, 0.3 grams silver chloride, 0.09 grams gold chloride. Fixed again 5 mins in first bath. (based on Thomas
Sutton 1855)

SPT15: Toned in 0.8ml 1% gold chloride and 2ml hydrochloric acid per 100mls water for 2 hours, fixed in 1:6 sodium
thiosulphate and water for 90 minutes (based on Le Gray 1851)

SPT16: Fixed in 10% sodium thiosulphate for 8 mins (based on Hunt and Cundell suggestions)










	&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c67eb793bdeb656c0ae9d115fad1f17161a3b46d43db5f33bb587febf2d39835/Mounted-albumen-test-strips-with-bronzing.jpg" data-mid="78440038" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/c67eb793bdeb656c0ae9d115fad1f17161a3b46d43db5f33bb587febf2d39835/Mounted-albumen-test-strips-with-bronzing.jpg" /&#62;
Albumen bronzing tests in the lab at the V&#38;amp;A
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/967ce02bd0ed3005c91e4eb61d43896fb13d693d7c4b8f7a3fc57d7daba90c73/SPT10.JPG" data-mid="78440140" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/967ce02bd0ed3005c91e4eb61d43896fb13d693d7c4b8f7a3fc57d7daba90c73/SPT10.JPG" /&#62;
Faded stabilised salt print in the lab of the V&#38;amp;A

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		<title>THE GALLOWS: DER DIE DAS MAGAZINE</title>
				
		<link>https://louisporter.com/THE-GALLOWS-DER-DIE-DAS-MAGAZINE</link>

		<pubDate>Mon, 27 Jul 2020 10:55:03 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

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&#60;img width="4280" height="2894" width_o="4280" height_o="2894" data-src="https://freight.cargo.site/t/original/i/739b3c9abe34d00128f3b6255dee359080f978ac1d15f1d678c3b0ddf01ba3f7/Louis_P_c-3.jpg" data-mid="78441474" border="0"  src="https://freight.cargo.site/w/1000/i/739b3c9abe34d00128f3b6255dee359080f978ac1d15f1d678c3b0ddf01ba3f7/Louis_P_c-3.jpg" /&#62;
&#60;img width="4273" height="2967" width_o="4273" height_o="2967" data-src="https://freight.cargo.site/t/original/i/7cc1c717382637dd2dc9ffcb5e354441ced5e66b5eee8faf45a36aa3499cffe2/Louis_P_c-4.jpg" data-mid="78441475" border="0"  src="https://freight.cargo.site/w/1000/i/7cc1c717382637dd2dc9ffcb5e354441ced5e66b5eee8faf45a36aa3499cffe2/Louis_P_c-4.jpg" /&#62;
&#60;img width="1851" height="2967" width_o="1851" height_o="2967" data-src="https://freight.cargo.site/t/original/i/b02cdb0915b3a0c63b1442e9fa61a3ebb974128b96fb0fcc975d27dbecf432d9/Louis_P_c-5.jpg" data-mid="78441476" border="0"  src="https://freight.cargo.site/w/1000/i/b02cdb0915b3a0c63b1442e9fa61a3ebb974128b96fb0fcc975d27dbecf432d9/Louis_P_c-5.jpg" /&#62;

	The Gallows (2011-2013)



















The Gallows was inspired by a road dtrip through the
southern United States of America in 2007. Whilst using the site City Data to
look for interesting cities and towns to visit, I noticed that the addresses of
registered sex offenders were made freely available. When Google Street View
images became available of the towns I inputted the addresses into its search
function, photographed then “cut out” the buildings and objects indicated by
the accusatory A 







	

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	<item>
		<title>MALAYSIAN BRUTALISM: THE MAGAZINE OF THE ROYAL INSTITUTE OF BRITISH ARCHITECTS</title>
				
		<link>https://louisporter.com/MALAYSIAN-BRUTALISM-THE-MAGAZINE-OF-THE-ROYAL-INSTITUTE-OF-BRITISH</link>

		<pubDate>Mon, 27 Jul 2020 15:56:32 +0000</pubDate>

		<dc:creator>louisporter</dc:creator>

		<guid isPermaLink="true">https://louisporter.com/MALAYSIAN-BRUTALISM-THE-MAGAZINE-OF-THE-ROYAL-INSTITUTE-OF-BRITISH</guid>

		<description>
&#60;img width="3000" height="2296" width_o="3000" height_o="2296" data-src="https://freight.cargo.site/t/original/i/8297525aafd463b626a15ccf15792e2c32a3b53aca275c00fa869577ea9f4516/Books-and-Website0241.jpg" data-mid="78461219" border="0"  src="https://freight.cargo.site/w/1000/i/8297525aafd463b626a15ccf15792e2c32a3b53aca275c00fa869577ea9f4516/Books-and-Website0241.jpg" /&#62;
&#60;img width="3000" height="2296" width_o="3000" height_o="2296" data-src="https://freight.cargo.site/t/original/i/aeaaf4c35d304f23a51b698e92312ec017fe243c5042c805d326f565d1801bda/Books-and-Website0242.jpg" data-mid="78461220" border="0"  src="https://freight.cargo.site/w/1000/i/aeaaf4c35d304f23a51b698e92312ec017fe243c5042c805d326f565d1801bda/Books-and-Website0242.jpg" /&#62;
&#60;img width="3000" height="2296" width_o="3000" height_o="2296" data-src="https://freight.cargo.site/t/original/i/d91fd5c264bbd9eb956b152d588fdd05dbb0ff27b5947107a213658f43313dc4/Books-and-Website0243.jpg" data-mid="78461221" border="0"  src="https://freight.cargo.site/w/1000/i/d91fd5c264bbd9eb956b152d588fdd05dbb0ff27b5947107a213658f43313dc4/Books-and-Website0243.jpg" /&#62;
	MALAYSIAN BRUTALISM: THE MAGAZINE OF THE ROYAL INSTITUTE OF BRITISH ARCHITECTS (2018)“Built in the Midday Sun” A Magazine: for RIBA Friends of Architecture, no. 8, 2018 Autumn, for a more readable version of this article please save the image to your computer or open it in a new tab.

	
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